Animation

Yes, and it's usually cheaper than rebuilding. Send the rig and one test shot; we come back with a short animated pass and an honest note on anything in the rig that will slow the work down or limit the performance.

It's a question about volume and revision more than taste. High volume that will be revised often favours 3D or 2D rigs; a small number of hero moments where the performance is the product favours frame-by-frame. We'll tell you which your budget actually buys.

We clean and retarget capture onto your rig, then hand-animate the parts capture never gets right — fingers, faces, contacts, and the beats that need to be bigger than life. Capture is a starting point, not a delivery.

Send the brief, or just the problem — a script, a deck, a level, a rough idea and a date. We come back within two working days with a shot or asset count, a crew, a price and a schedule. If the date isn't achievable we say so then, not in week six.

Yes, and it's most of what studio work is. Send the style guide, the shipped assets, or even a screenshot. We produce one paid test piece first so you can judge the match on your own asset before committing to the batch.

A shared review link with frame-accurate comments, updated weekly. Two rounds of revision per stage are in the quote; beyond that we bill by the day and tell you before the clock starts.

You do, on final payment — full assignment, including the source files. We ask only for the right to show finished work in our portfolio, and we hold that back for as long as you need us to.